CalArts Richard pg. 3


I know you will never believe this—but there is a thematic center to life which is being denied,

And therefore, catastrophe is just around the corner.



And what will be the form taken by that catastrophe?


It will be hardly noticeable


Then it will be no catastrophy


Really?


Why do I feel like crying?


Tell me


My whole life—since I was a child—my deepest wish was to have all my wishes gratified

But sometimes—I’m not at all sure what those wishes are that I hope to have gratified.

Is this the catastrophy of which you speak?


In each moment, at every small twist in the course of things, inside the tiniest event—catastrophy is hidden


Nobody can expect their wishes to be gratified


It is a catastrophy to give up on such dreams


--that’s what you mean by catastrophy?









You will be happy, unless really bad things start happening behind your back


If they happen behind my back?


You’ll feel their effects without knowing the source of things


The source of things is a mystery. OK? But I like mysteries.


(Pause)

Some people figure out ways to turn unhappiness to their advantage. You won’t be one of those peple. Howevere, you may be lucky. You may be, most of the time—happy. – well, luck in a certain sense


I am beholden to you for small moments of happiness.

You are a perfect person


No. You are the perfect person.


Please. Let me be a hero in somebody else’s eyes


What do you really have in mind


Here it is. The enlightenment of last chances


I have nothing in my head


(Pause)

OK. There is no higher knowledge. There is no enlightenment. The universe exists as a totally—impenetrable mystery. Yet here, locally, the mystery evaporates.


What does this man know that I don’t know

Once upon a time, in the past, there was a name for this thing which eludes, always, human understanding

But it was a bad name.

Since now, there is no name for this unknowable thing, do we say this is a good thing, that there is no name?

No. this has it’s unfortunate aspect also. Since what has no name, slowly vanishes. Not that it is not, forever invisible, and so there is no real vanishing of the invisible—but there is a vanishing of the invisible.

That unknowable—is no longer a void which promises the the end of this world. There is no longer the promise of the end of this world, except in catastrophy, and that is never somethig interesting. Catastrophy is never interesting. And an end to this world which would be interesting—that is something different which is, alas, no longer possible. So this world is here, as it is, and tere is no longer a name for that thing which is beynd human understanding, because there is noting beyond human understanding, and that is the catastrophy which tells of the end of the world.


What am I? I am in fact an angel, come to tell you that you must save the world by escaping from this world


If I escape


Yes


Then the world is not saved, because simply escape from the world and that does not save the world.


Wrong. If you escape, then the world—changes


To where do I escape


Here. Right here.


But when I leave, when I escape-Yes, you leave where you are


I am here


You leave


And where?


No where. Here.


(Pause)

My task, after all, is to be a human being


But you’ve acomplished that—


I mean, better than I am


No, you will never be better than you are now, this minute, this pathetic—human being thing—you’ve tried it. Does it work?


I suppose not.


That’s the wrong answer. It works. And now—you escape


How?


You just—escae


If I don’t know how, then don’t escape


Why do you need a name for it

I can’t handle it if I don’t have a name for it


You’ll never be able to handle it my friend


Then I give up.


I’m waiting.


For what


I’m waiting to see you give up


I’ve given up


No. You haven’t given up. You haven’t given up. Can you understand that? Mean deeply understand that? You simply haven’t GIVEN UP











Do you really believe that some human beings have the ability to read other human being’s minds?


I wish it were possible



That’s not what I asked.



Why do you ask such things


(Pause)

See? I’m afraid of you after all



This isn’t the true subject matter that obcesses me



What subject matter obcesses you



I’ll never tell



You will tell. I will put pressure on you until you tell me



Ok. Some human beings have the ability to read other human beings minds



Ok. First you say that, then you say “help help help” and clutch your head between your two hands



If I refuse



If you reuse—it’s not a question of punishmet, it’s just a question of being denied rewards that are certainly due you—that you really truly, deserve.

(Pause)

Don’t you want such rewards?



Yes



And what do you want even more than you want the rewards of your desire



Well, my first impulse was to say—punishment—but I don’t really want punishment.

Slo perhaps—I should say—excitement



Excitement



Yes. You want excitement. And from which direction should that excitement possibly arrive



I have my available directions



Right, you are a place in the exact center of many possible directions



To say something so obvious is to risk making mental telepathy a believeable phenomenon



It’s already believeable, but is it a fact?



In this case, in this time and place—yes.


After all, to offend you is to be of assistance.



Let’s shake on it—no—I reconsider my hand


Put those hands in the appropriate pockets



Here, I’ll make the space around the hand a space pocket



I know. You’re trying to cause an explosion



My explosion inevitably gets lost in the field of explosions, which-- invisible—nevertheless, wipes out the most important memories



I thought you were going to say something other than memories



Yes. But I collected my mental matter—



How many space pockets did you have to empty to come up with that tiny bit of mental matter



I can’t answer when I collect my thoughts



But you don’t



But I don’t, because I want to keep moving through space




And still you don’t




That’s Ok. If I’m not moving, something else is always moving


What


I don’t know



Doesn’t that make you happy?


I don’t know

This is dead soon.

You don’t know what I’m talking about, but that’s Ok.

Dead soon is dead sooner or later.

Here, match my happiness index. You too can spit on my life


Don’t think f me as peverse. Think of me as an angel. Light headed. Happy to be almost alive



It is, of course, the Messiah for whom I am waiting.

It is of course, the Messiah who knocks on the door of my house

It is true, of course, that a word is being chosen to name some other word.


God himself does the following


Hungry for mistakes.

Here is a new way to use the mind.

I am, I admit, hungry, very hungry

Can you keep up with me? Am I running vbery fast?



But—you haven’t started


Oh? Did I say otherwise?


Yu were entertaining the notion of running fast


Mentally or physically


(Pause)

Mentally


I’m a physical person


Obviously not


See? That proves how fast I go mentally

I am no longer afraid

I am no longer afraid

This is a good time of the year

The real is what destroys you, make contact with the real and it destroys you

Everything that is real and wonderful, is beyond us





Not here. No way, here, to touch it




Look that fact squarly in the eye




Look for that silence, inside sadness




Accept that heaviness, felt, as the heaviness of the world




Amidst friend, you find yourself lying. You lie to your friends





To look beyod your friends, this is your only hope




You will never be able to express yourself




Friends are your prison




There are things here, not visible



You will never know what’s real, will you. Whatever you think is real, yu invented it. It’s not real

Guess what. I only like to sa things because they never say what I’m trying to express. Therefore I like to say things because they never say what I’m trying to say. Therefore I like to say things. Because I find it impossble to say things

Ok. Let’s put your arm in this thing. Now I’ll start to twisting. Does it hurt?


Yes

There is no need for this stuff.

But can it seem like normal stuff—even if there is no need for this stuff


Lok. I am floating over the city. I am twisting and turning in space—like a cloud that is a body of flesh and blood, but more various, more maliable than a normal humAn body

He had no reason to doubt the good wishes of friends



Yes, Christ was always good to me. Christ was, in a sense, not my friend, but the one who opened a door I needed to have opened.

He could indeed, show me the way to a better word.

His world and my world both,

Talking about happiness?—


Oh, I recognize that word


I haven’t compleed my sentence


Anything can be complete, in and of itself


Is that happiness, in your book?


I don’t choose either of those two possible faces


You push me into new territory, I suppose


Oh, I lost it


Lost what


(Pause)

I still lost it


If you lost it, it must be lost


Help me


(Pause)

How can I help you if you lost it


If I lost it, I need help


What did you lose


What did I lose?


I don’t know, but you know


I myself, I know what I did lose


(Pause)

My zest for life. I lost it


What did you lose, help me


(Pause)

No. You help me


You have to help me so I can help you

Please. Make me feel important


Certainly. But how am I to make you feel important


Allow the twists and turns of my mental apparatus to be superior to your own mental aparatus


In what way superior


That will be self evident,


But if I allow this, then it doesn’t follow that I am important enough to make you feel important





Ah. No system works


OK. Does anything work?


Yes. The moment of improvisation in response to a situation


Then a situation is necessary


Yes


This situation?


(Pause)

This situation is Ok


But what’s inside the situation


Well, waiting for an accident


Eventually, there is always an accident


But until there’s an accident—


Here it comes—


What?


I said, here it comes


Until there’s an accident, there’s no situation


Ok. Plop. That was an accident


What was



Plop


No. That’s just something you choose to articulate, for understandable reasons


Yes. Think I was imitating an accident

(Pause, falls)


Yes.


You can’t be a hundred per-cent sure it was an imitation



Plop.

1)




Faster, faster


I will never give names to phenomenon that insist upon visibility


Believe me, believe me. What I see I never name

I never name




2)


You too, are around me now like a vocabulary


Can I punch out vowels?

Can I make explosions of milk and burnt lions

Who roar out?


I’m here for you.

I’m really here for you



3)


My raincoat is packed.


The heavens allow everything

So I too

Close shaved

Knife into the face

As deep

Gluttony

Dressed in red

Dressed in red


4)

Collected, but not mental


Oh no

A head

For that slow roll into space

That bounces

Yes, to what here, I have divulged



Shoot me

(Pause, smiles)

Visionary experience, please?

(Pause)

hello? Where are you hiding?

Yes, to what, here, I have discovered




Shoot me up

(Pause. Smile)

Visionary experience, please

(Pause)

Hello? Where are you hiding?


Do you realize what is happening?

The walls are falling down


People are alone in small apartments, surrounded by personal items.

Sometimes, pictures on the wall, a few, sucking at private dreams


Do you realize what is happening?

A certain number of trains are on time. Others miss


Things. . .miss other things


The beyond which is believable holds me


Do you realize what is happening?


Reasons for existence are tumbling forward

Special trains go even further—holes in time and space


Do you realize

Old light gives way to new light, and then it all comes round again in a fraction of a second


Music goes out through the ears


End of things arrives at a new beginning, and the wallpaper,

Satisfied,

Crosses at all times a separate existence

Spent by wasting time


A man who is a giant, uses a knife to—



Nothing analyses the end of the world better than I analyze the end of the world

It’s time to give up on this


I know


What do you know


I know all about you


(Pause)

It’s time to give up on all this


And? What follows


What follows is total self-indulgence

This is work.

A certain kind of work, being done in secret


What kind of work/ Impossible to say


--It doesn’t look like work



It’s work. It’s very definitely work


What kind of work is this work


This work is definitely work


(Pause)

Is it thinking


It’s not really thinking, but it uses the mind


In what way does it use the mind


H, it uses the mind. But there is no way to say in what way it uses the mind


(Pause)

Then I don’t think it uses the mind


Wrong


Prove me wrong


(Pause)

Convinced?


(Pause)

Yes. Now I am convinced

There is a hole in the middle of my thinking. There is a hole in my thinking that my thinking cannot touch


Use your thinking to touch that hole


No. When my thinking approaches that hole, that hotel vanishes


Then it’s obviously not a particularly powerful hole


Wrong. It’s a powerful hole. When my thinking approaches that hole, that hole vanishes


Then it’s no longer a hole


It’s a hole, and my thinking can’t touch that hole

I can try to attach myself to the desirable things


What are the desirable things


To what things am I attaching myself


(Pause)

This is not obvious

(Pause)

You are attaching yourself to the light in this room that makes things visible. Am I right?


Right again


Ok. I psyched you out


(Pause)

I am challenging your assumptions about me personally


I personally don’t think you have much of a personality


Pick up on my personal music, please;/




What’s available?


I don’t know


You don’t know






Teach me


Teach what


Whatever you have to teach me, teach me


What do I have to teach


(Pause)

I’m supposed to tell you what you have to teach


Right


This is what you are teaching me—


I don’t say what I’m teaching you


How come

(Pause)

What are you teaching me


What am I teaching you

I have nothing more to say and I say it


That sounds good

He found his way in the dark


Why was it dark


Because—were his eyes closed?


No


Was the electricity off


No


Ok. So why was it dark

Here is a man who tried to be outside time. He is in time, of course, but he tried to be outside time


Here comes the boat


There could be different aspects of arrival and departure, but ‘here comes the boa’ means, in those sense, that which is already here.


(What boat)

Immediately!



--wait



Please. Hit me immediately


Why immediately


I don’t like to wait.

Immediately



No. I will not move from where I am

I will not enter time, and or, adventure..


I can’t do it alone. I need your cooperation


I refuse to cooperate


You wouldn’t like a little excitement?


I spit on your idea of excitement



(excitement?


(refuse movement. Drift)

The most unlikely solution is the best solution









Here is a man for whom a play is being presented for him only







Here is a man, entertaining a variety of ways to withdraw from the forward motion of his life. Seeking timelessness. I.e., another dimension

I don’t want to know what’s behind this world

Protect me from knowing



(protect me from knowing our essential condition)








This keeps me from seeing what’s really there, thank God

Don’t worry. I put meaning into things at the last minute


First I cultivate a field,

Then I punctuate to reveal the meaning that has been growing invisibly in that field


Ah, this is what we’re after


Es.

Render this null and void!


Everything is worn out.

There’s nothing I’m interested in

Yet I’m interested!



That just means you’re interested in finding something interesting

We are at work against ourselves to thicken the brew of our productivity



So hidden collaborations produce---? What?




If consciousness were all, then it would be a one dimensional world

I just lost part of my brain


I have been cheated. Part of my brain has been taken away from me—as a result—I am on automatic pilot

Here we are

To breed

To proliferate

To make things happen

On and on

Pattern on pattern

Things change into other things


How should my brain (consciousness)

Insert into this mechanism

For withdrawal (escape)

The monstrous thing

Is that good and bad

Must

be

THERE IS SOMETHING MORE TO THIS. . . .


My deepest feelings, hide, are expected to hide


Hide what


What can’t be known

What I don’t know is overwhelming to me. Thank goodness, I am being overwhelmed


Here, hold onto this


Why


Oh, for stability


Do I want stability. No. I do not want stability


Then you’d stop talking


Oh no—


Please. That talking I hear is Mr. X in search of a certain stability.


No. Mr. X says things because he knows that in saying things he knows he’s always saying more than he thinks he’s saying

(Pause)

Get it?

The more I say the more I get de-stabilized


If you say so


I fifty pr-cent say so


So—grab onto this


Why not


(Pause)

Which direction do you want to start moving


Can’t you feel the slight twitch, coming from my hand


That twitch doesn’t seem to have any particular sense of direction

Messiah




No I am the Messiah


Perhaps I am the messiah


I choose to hide this from you


I choose to hide

How live and think in this light that is indifferent to our existence





The quality of this light is indifferent to me and my efforts


What efforts are you making

Language is finished. We no longer use language


But you’re using it


Well, I’m using it to say it’s finished


But that’s using it


OK. I’m still using language, but it’s different because I no longer care to use language in a particularly good way—I just use it


But you use it


It’s just—a vector. Not a place to build palaces or cathedrals


Language—


Boom!


A vector in language is still language


It’s a vector

(Moves)

This is a vector

(Lights)

This is a vector

(Thud. Pause. Thud)


That noise effects my body.

(points to head)

What part of your body is up here


No. That’s part of YOUR body, not my body

(Thud)


We shared that


Yes


Where did we share that


We shared that in lots of places

(exits)


Ah. You could say we’re still sharing, even though that means in different places in the sense that a closed door has come between us

(Pause)

However, there are things that separate us more than closed doors. I.e. Is it possible that a vector could separate us? I don’t think so. I think we share all vectors even though we don’t know we share all vectors.





I can walk by myself. I don’t need help


You need help. Everybody needs help


Oh? Oh? What kind of help. Is this help? I don’t think so

(pause)

Where am I going in this situation, please?

You will never be as smart as you are, right now


Look. Your mind is a mirror



Ok. Ok. For extra planetary influence. Ideas—make from sunlight itself,

And then take off

Take off


I can’t leave the ground


Take off!

I am afraid Germans are going to kill me

Leverage starts at the lower levels

There is no bounce

Somebody could be on top of this situation

X-rayed by my own hesitation

I am hard on myself, I know

Fructification until death

Why is it that violence is the only poetry left

Dying to one life is coming alive to a second life


Guaranteed?


Oh, nothing is guaranteed


But that “nothing is guaranteed’ is in fact the second life I was talking about


Right. You were evidently talking to me and I was only half understanding

Come into the world

Come into the real world

Come back into the world

It’s true.

I do resonate amongst these ancient monuments. But why are you following me?


For help, of course


I can’t help, my friend


I’ve never been led to believe otherwise.


Right. Use me


How can I do that


Use me


I’m very unhappy here.


Ah I do resonate amongst these monuments

Here in Egypt, where I do belong. Resonating amongst the pyramids


Please doctor, this is not your appropriate location


Really? I had best establish myself where I feel congenial.



OH GREAT SPHINX

I’m not going to allow anybody to question my motives, get it?

I’m not going to allow anybody to question my motives.






I want to be allowed into this room

I want to be allowed into this room, where everybody seems so intense


I want to be allowed into this room where, it is my intuition, spiritual issues take prescidence.

This may or may not be true, but I want to be allowed in such a room

When I twist my

Magic ring

Guess what

Guess what





Behind my back

Ice cold

Suddenly I recognize you

Behind my back

Speed rails

That’s what I climb up on

Speed rails

How can I get to feel

Good al over

What’s the best way to feel

Good all over

Radio city

Radio city

I dreamt I went

To radio city



Standing around while people do things

Lots of my life is like that

Standing around while people do things

There is a rumbling behind me

I am moving forward

And there is

A rumbling behind me

Look,

This twists in my brain

Thought it is visible

Only in my body

THE MESSIAH COMES IN TEN MINUTES

How to use this life

What use to best make of this life

That was my problem

How to use this life


OK. One easy answer is to serve others. But serving others could easily mean helping others to get through life in a way that was not making the best use of such a life




Rhythm helps. If there is a rhythm at work

This is not Good


This is not SUPPOSED to be good

My body has to be stressed in a certain way—in order for my mind to have original thoughts which keep my brain lively.

(Pause)

I need something to lean on


Let’s hear an idea






This beautifully set table, gives me ideas about how to seduce people

The question is, is being here, conceivably as exciting as leaving here or arriving here.


I don’t think so. Being here is simply not as exciting as leaving here or arriving here.


Even reduced to it’s most local level. Being here in this room. If it’s a mere room, it can be now and then exciting. But leaving this room, or entering this room, is this not more exciting than being in this room

What’s it like—to live in this house?

We live (simultaneously) on two planes, searching for the point at which they meet.


(Katz

language-conscious image)


(Why did I leave out (forget) the word “simultaneously” (ehrenzweigh. Katz-irrational bkk)

psychoanalyst:

talk of faces eyes


enter police—take this drug! How dare you practice analysis


Because, the construct is great poetry, into which reality can transform itself)

I could never manage to be alone with myself


Wrong. You are alone right now


Do I see through you?


Look into my eyes


Ah. Then I do vanish


What’s left when you vanish


(Pause)

I am alone with myself without knowing I am alone with myself.

I don’t know how to be creative


I’m here, but I’m not being creative


Try harder


If I try harder I’m not creative


Then do the opposite


Wait a minute


What


You do the opposite


The opposite of what


The opposite of what you’re doing right now

(other exit)

Now I feel creative. But there’s nobody around to give resonance to my creativity

(Knocks)

Come in


If I start following your orders—


--yes?


(Pause)

It’s Ok. In fact, what difference does it make since you could possibly prompt me into something interesting


You mean, some interesting adventures?


Yes—it would be my adventure, after all—even if you were the one who made it happen


(Pause)

My options right now are limited


Offer me a drink


That’s not enough


Ok. I’ll press my luck

(Pause. Both exit)

This piece of furniture will have to stand in for that. . .magic object that I could easily call my revelatory encounter.

Now wait a minute—

if I walked out into the street,

would I be even more likely to encounter

something that could genuinely change my life?

I don’t think so.

And in the same way—

If I sit or don’t sit—

Somehow, there had better be a category that doesn’t

Partake of either of these two opposites

Then I’ll be on to something big,

So let’s find out.

 

(enter)

I expected to enter bearing gifts


That would hardly be appropriate, because anything you could conceptualize as a gift would place me under unfortunate obligations


(Pause)

Then why don’t you go.


Now—should I or should I not go


Then sit down


Hey—I’m not discussing the opposites I somehow intuit


Then you better make radical changes


I’d like to, but I don’t know how


(Pause)

I certainly don’t know how


(Pause. Both exit)

EMPTINESS:
WHAT’S REALLY GOING ON HERE




CAST OUT THE NET

THEN: (HOOKS IN THINGS)




EMPTINESS (GAP) DELAY

JUMPS—EMPTINESS




Emptiness wanted to enjoy itself

Made (tiny) universe

All that arises

Is to circle back to enjoy emptiness

But: louts just as a DELAY

To that return.

That delay = consciousness

Delay—I flash, lurch. Voice phrases

CONVERSATION BETWEEN MR. X AND MR. Y.


(Mr. X and Mr. Y are sitting at the edge of something bright, turbulent, and impressive. They sip drinks and smile. Other people stand around, ready to serve them more drinks, whenever they desire more drinks than they are now drinking.)



I know you will never believe this—but there is a thematic center to life which is being denied, and therefore, the real catastrophe (I mean—the real catastrophe) is just around the corner.


And what will be the form taken by that real catastrophe?


Because it will be real, it will hardly be noticeable.


Then it will be no catastrophe.


That may be correct.


Ok. Why do I feel like crying?


You tell me.


Because I am about to e unhappy?


Oh no, you will be very happy—unless, or course, really bad things start happening behind your back.


If they happen behind my back?


You’ll feel their effects without knowing the true source of things.


The source of things is a mystery? That’s Ok because I like mysteries.


Some people are lucky. Some people figure out ways to turn unhappiness to their advantage. However, you won’t be one of those people. However, then again, you may be lucky. You may -- most of the time— be reasonably happy. Well, that’s lucky in a certain sense of the word--


Then I am beholden to you for small moments of happiness and mystery, because the truth of the matter is-- I don’t really want to know what’s behind this world. Do protect me from knowing such things.


Do you understand, my friend, that you have just lost part of your brain? You have been cheated, my friend. Part of your brain has been taken away from you. As a result— you are on automatic pilot.


Automatic pilot? Humm. . . Then it follows that I myself don’t know those things that are overwhelming to me. Thank God--


Here, hold onto this small morsel of emptiness--


Why?


For stability of course. All these words that go bouncing back and forth between us—isn’t this just Mr. X talking to Mr. Y in search of a certain stability? Or do Mr. X and Mr. Y says things because they both know that in saying “things” they are always saying more than anybody else (--Mr. Z in particular) thinks they are saying?

(Pause)

Get it? The more I say the more you and I get de-stabilized!


But is that desirable?


Of course! That is highly desirable!


You mean—tumbling from these comfortable chairs—


Unfortunate, isn’t it. But these mere pieces of furniture will have to stand in for that magic object we could easily name our revelatory encounter. But wait a minute--!

(He rises, and opens a door)

If we were to walk through this door, out into the dangerous streets, would we be even more likely to encounter something that could genuinely change a person’s life?


I don’t think so.


Probably not.

(Mr. Z walks through the open door. Mr. X and Y are visibly startled. Mr. Z says—don’t be alarmed. I expected to enter bearing gifts, but there was a miscalculation--)

It would hardly have been appropriate, would it? Because anything you, sir, could conceptualize as a gift-- would place me under unfortunate obligations.


(Pause)

Why don’t you go away?


Wait a minute—maybe he should not go just yet--


Then he should sit down.


Maybe we should make some radical changes, and he should sit down and we should go.


No, I don’t think we should go.


WHAT’S REALLY GOING ON HERE LADIES AND GENTLEMEN? EMPTINESS WANTED TO ENJOY ITSELF. SO IT MADE ONE SMALL AND PARTICULAR UNIVERSE IN WHICH EVERYTHING THAT HAPPENS CIRCLES BACK UPON ITSELF IN ORDER TO PROVIDE ENTERTAINMENT FOR EMPTINESS, WHICH WAS AN EMPTINESS THAT WANTED TO ENJOY ITSELF, IN THE MIDST OF IT’S OWN EMPTINESS.